Posts Tagged ‘Submission’

5-12-11

Omoplata from Guard
Omoplata Entry: Hands on the mat
Omoplata Entry: Forearms posted
Omoplata Rolling Escape Counter
Omoplata Posture Escape Counter

Omoplata from Guard
You have your opponent in your closed guard. You’ve gained an over-hook on the opponent’s left arm. Pop your left knee out by pushing the opponent’s right shoulder as you bring your leg forward. You isolate his left arm around your right leg, ensuring that it’s bent back over the knee, as you open the guard. Do this by bringing the knee up near the arm-pit.

From here you will want to turn your body 180 degrees, wrapping the leg around the arm so that the back of the opponent’s hand is on your torso.

Block the opponent’s ability to roll forward by sitting up and blocking the hips with an arm over the belt line.

Lean forward to apply pressure to the shoulder joint.

Partner drills:
- Partner in your guard, grabs a leg, removes the other arm. Omoplata! Reverse back to guard. Partner grabs the other leg, removes the arm. Omoplata on the other side!
- To add in a, and more of an open guard feel have your partner roll out once you come to sitting. Get back to his knees crawl towards you with an arm hanging out there as if to say, “Please, please omoplata me”. Omoplata. Roll. Come back. Repeat until the rolling partner vomits. Being on top in this drill is the perfect opportunity to feel the timing of the rolling counter, and to work on rolling over both shoulders instead of the top of your head.

Solo drills:
- The omoplata rocking chair: Sit up slightly, rock back as you turn the corner (like an omoplata motion). Go the other way.
- Do forward rolls over each shoulder until you throw-up.

Entries
Omoplata from guard entry with opponent’s hands on the mat

Your opponent is broken down in your guard and both of his hands are on the mat right next to you hips.

With your right hand get an overhook grip on his left elbow. Your hand should be on the elbow while your elbow is down on his hand, blocking him from taking out the arm. You don’t want a deep overhook. It’s more of a cupping grip that’s over the arm instead of under. If the hook is deep there’s no room for your leg.

With you left hand push on the opponent’s right shoulder as you bring your left knee through. This takes his right arm out of your guard and releases your leg to come around into the omoplata.

Lift yourself up slightly using his left arm and swing into the omoplata.

Omoplata entry from low postured opponent
Your opponent has his forearm resting on your chest and his posture is down over you.

Take your hands, palm down and slide them under the opponent’s arms. You should be able to bring your palms together with his forearms on top of yours.

Bring your opponent forward with your legs as you swim your hands out to bring his hands to the mat.

Scroll up, follow the previous entry.

Partner Drills:
- For a change in pace, start in closed guard and have your partner pick one of these postures. React appropriately, swing back around, and have him pick another. Do this for 5 minutes, then switch. This will help you compute an entry quicker based on what you see and feel from your opponent.

Omoplata rolling defence counter into omoplata
A common defence to the omoplata is for the opponent to roll forward before you have the opportunity to block his hips.

You’ve tuned into the omoplata on the opponent’s left arm. As he rolls ensure you grab his elbow with your left hand to secure the arm.

Holding on to the elbow, rise slightly onto your left leg as you make room to get your right leg back under the opponent’s arm. Roll forward over your right shoulder to re-establish the omoplata.

Partner Drills:
- Just keep rolling until you both throw up, or hit the wall.

Omoplata posture defence counter into omoplata
Another common defence to the omoplata is to posture up as the opponent turns. This often ends up with you on your back next to your opponent whose arm is still stuck in your leg.

Secure the arm by pulling back with your left hand grip as you push forward slightly with your leg. Make sure that thing is really stuck in there.

Reach over with your free hand; in this case we’ll say it’s your right. Grab his right leg on the pants or under the ankle/shin.

Hold firm with your left hand. Push with your right leg. Pull across your chest with your right hand and turn into your left hip. Your goal is to pull him over you and onto his back with the arm still secured.

You’ll be facing down the legs of the opponent. Swing your left leg back and to the right, coming over your opponent’s head and chest until you’re in mount with his arm still stuck to your leg.

Holding the arm, crabwalk straight over to your left off the side of his body. This will turn the opponent into the omoplata.

See the omoplata from mount as a reference (31-8-11).

Partner Drills:
- Omoplata, partner postures to defend, counter into omoplata, allow the partner to posture, counter into omoplata, etc.

Tips:
- Work on your rocking movement. It’s all in the hips.
- You want to end up as close to side-by-side with your opponent as possible. You’re not turning 90 degrees. You’re turning 180.
- Make sure you get both your legs out of the way. Get them both pointing away from your opponent as you sit up. You’ll need to be on the near butt-cheek to do this, not the far butt-cheek. That means you want to be turning your butt away from them, which is the polite thing to do anyway.

28-11-11

Armbar from Standing
Armbar from the Knees
Armbar from Guard: Hooking Variation

Armbar from Standing
You’re standing head to head. With your left hand you have a sleeve grip on the opponent’s right sleeve. With your right hand you are grabbing the opponent’s right collar.

If you have trouble getting the cross collar grip try grabbing the left collar, near the neck. This grip should be a four finger grip, fingers in, thumb out. Some people will allow this since it’s not as dangerous as the cross collar. They won’t sense trouble. With your right hand, pull down then punch through to the back of the collar and switch your forearm around the back of their head. This switches into a deep cross collar grip.

Pull your right foot back, creating space then quickly drive your right foot up onto the opponent’s left hip, toes pointing out to your right.

Using your grips on the arm and collar, and keeping the distance with your leg on the hip, lay back down towards your right. You want to aim at least 45 degrees, if not 90. You also want to aim to fall onto your right hip.

Be sure to pull the arm with you, across your own chest, up towards your right shoulder. This puts it in place for the armbar.

Keeping a tight grip on the arm, bring your left leg up across the face of the opponent. If you need to you can switch your grips on the arm so that you can push on the opponent’s head with your left hand.

Ensure the elbow is in past your beltline, otherwise there won’t be any pressure on the elbow joint.

Ensure that your knees are tight so that there’s no room for the opponent to move his arm.

Ensure that the opponent’s little finger is on your chest so that you’re putting pressure on the joint rather than just bending his arm.

Tips:
- If the opponent doesn’t stay on his feet as you pull him down, that’s okay, you’ll end up with attacking grips in your guard. Anticipate this as a possible outcome and plan a follow-on attack.
- Use the foot on the hip to control the distance. If he’s too far away, simply bend the knee. If he’s putting his weight on your foot (which he probably will be) that will assist in him falling into the armbar.
- Practice this movement step by step. Work the grips 10 times. Add the foot on the hip 10 times. Add the lay down 10 times. Add the armbar 10 times. Put it all together 1,000 times.
- Be willing to reset if you don’t get what you’re after.
- Be aware of your own arm while grip fighting. If he has the same grips as you, you’re just as vulnerable to the attack as he is.
- Aim for the hip, not the crotch. That’s just not very nice, esspecially if you’re drilling it 1,000 times.

Armbar from the Knees
Most of us start our sparring sessions from the knees, or at least end up fighting from there at some point.

Get similar grips as the standing armbar, same side sleeve with your left and cross collar with your right.

Step past the opponent’s baseline (that’s the imaginary line between his points of base, like his knees or feet. Breaking this line is a key to takedowns and trips) like you’re going to initiate a trip takedown.

When the opponent resists he will push back into you. When he does this you want to lay back down onto your right hip. Get your bent right leg up near his armpit with your shin coming across his midsection. Your left leg comes up and over his head. Bring your knees together, tighten the arm to your chest, little finger down, and lift your hips for the tap.

Tips:
- Lift your hips, not his arm.
- Use your collar grip to pull the opponent back down with you.
- Keeping the grip on the collar will limit the opponent’s ability to push into your as a counter to the armbar. This is because your knuckles are in his neck. No one wants to push against that.

Armbar from Guard- Hooking Variation
You’re in an open guard with feet on the hips and are turned onto your right side. You’ve got the opponent’s right arm across your chest and are attempting to attack with an armbar.

The opponent is stopping you from getting your left leg up and over his head to lock in the armbar.

Bring your right foot up the right side of the opponent’s face and hook the back of his neck with the top of your foot. Bring his head down by bringing your knee down towards the ground.

When they pull back against the foot you can bring your left leg over and across their face to tighten up the armbar.

Tips:
- This one is very hard to describe, so mess around with it until you’ve worked it out.
- Keep a tight hold of the arm the whole time. Don’t let it go.    

31-10-11

 
Leg Grab Rollover Sweep Set-Ups
- Collar Grip Posture Break
- Arm-Drag from Guard

Arm-Drag from Guard to Back
Calf Crank from Turtle Top
Banana Split from Turtle Top

Leg Lock from Half-Guard Top
Toe Hold from Half-Guard Top
Neck Crank from Half-Guard Top

Every martial art is about basic techniques being executed. Every striking art holds, essentially, the same basic strikes. Straight punches, jabs, overhands, front kicks, roundhouse kicks, side kicks, etc, etc… What separates the arts is how those strikes are set-up, executed, countered, and followed up by. Grappling is the same. Wrestling, Judo, Sambo, Brazilian Jiu-Jitsu… they all have similar moves. What separates them is the set-ups, counters, follow ups and executions.

First you must gain an understanding of the basic technique. We start today with the Leg Grab Rollover Sweep. 29-8-11 is the blog where you can read about the Leg Grab Rollover Sweep.

Once the basics are understood you can start to explore ways to set it up. Setups are usually easily classified as distractions. That’s what we’ll start with here.

Leg Grab Rollover Sweep from Cross Collar Grip
You have your opponent in your closed guard. Attack the collar with your right hand. If they just allow it feel free to attack with the left hand for the cross collar choke. However, anyone that’s been collar choked before will at least be cautious of the collar grip. Use this grip to pull the back of the opponent’s Gi through his neck. You want him to be thinking about his posture being broken, or his blood being cut off from his brain.

You don’t want him to be thinking about his leg.

Once he’s effectively distracted take your left hand and grip the opponent’s Gi on his right shoulder. Push this arm across your chest to eliminate the post on his right side.

Reach down to the opponent’s leg with your right hand and perform the rollover sweep.

Leg Grab Rollover Sweep from Arm-Drag
There’s another leg grab rollover sweep that’s set up when the opponent is hunkered down while in guard (29-8-11). This sweep is set up by pulling the opponent’s right arm across and down into the whole on the right side of your body. This same sweep can be set up from another posture.

When an opponent is looking to pass your guard he sometimes puts both hands on your hips with straight arms. Often, this leaves space between his elbows and your legs.

You can use this opportunity to initiate and arm-drag.

With your right hand, cup the opponent’s left elbow or bicep. With your left hand push on the right wrist or forearm as you drag the arm. You want them to end up with both arms on the right side of your body.

It’s important to close the gap that’s been created here. You do this by posting up on your right arm and reaching to the opponent’s opposite shoulder with the left hand. You’re using your chest against their right shoulder to stop them from being able to pull their arm back out into posture.

This puts you in a position where you can scoot back under and take the leg grab rollover sweep.

Alternatively, from the arm-drag you can follow through to take the opponent’s back.

Arm-Drag to Back from Guard

There are deciding factors involved in this transition:
- Do you like to attack the back?
- Would you rather work for the sweep from guard and possibly end up in mount?
- Is the opponent allowing you to continue to the back?
- Has the opponent grabbed your posted arm to stop you from taking the back? If so, he’s helping you with the rollover sweep, but making taking the back a lot harder.

From the arm-drag you shoot up to eliminate space. Get a grip on the far shoulder with your left arm.

Swing your left leg over the back of the opponent as you slide your foot into a hooking position.

If you want to attack the neck or arm you can establish an over-under grip on the opponent. Or, you can set yourself up to attack the turtle position. Or, you can carry on into a calf crank.

Calf Crank

From the top turtle position ensure that the right hook is very deep. You want your shin over their calf.

Turn to your left so that you can grab the opponent’s foot with both your hands.

Sit back, bringing the foot with you as you roll onto your back. This position presents a calf crank, which is a compression submission. It just hurts. People will tap because if feels like an intense cramp in the calf.

Simply push their heel towards their butt.

If they don’t tap you can transition into what’s known as a banana split.

Banana Split

From the calf crank take your right hand off the foot and grab the opponent’s hanging left leg. A friction grip around the knee works just fine. Keep the left hand on the foot while you do this.

Bring your left foot up and place it on your right foot (not over into a figure 4. This will set YOU up for a calf crank) as you bring your left hand over to join your right. From there simply push on your right foot with your left as you bring the opponent’s left leg towards your own head with your hands.

This is a flexibility submission. Some people will tap simply because they don’t spend any time working on their flexibility (shame on you!).

The counter to this move is the seated butterfly stretch, which should be an integral part of every grapplers daily stretching routine. If you’re not stretching you deserve to get caught in a move like this.

Tips:

- If you catch someone in this move you need to make sure everyone knows it. So, you should yell, ‘Banana split!’ when you put it on. If they tap you should yell, ‘With a cherry on top!’

- Seriously, don’t put yourself into a calf crank by figure-fouring your own legs. Not worth it.

The Half-Guard has, in the last 10 years become an integral part of jiu-jitsu. It used to be thought of as a last ditch effort to hold some kind of guard. Now there are entire game plans from the half guard. It’s become a dangerous position to be in.

Because of this change to the bottom game, the top game has had to adjust as well. Instead of just an annoying spot to be stuck in, people are starting to put together submissions.

Leg Lock from Half-Guard Top

Your right leg is caught in the opponent’s half guard. You’ve flattened out your opponent.

Push up and bring your left knee across the belt line of the opponent as you turn to face his left leg.

Underhook the left leg. Lean onto your left shoulder and squeeze your knees together to solidify the position. Your opponent’s toes should be pointing towards you. The mechanics are the same as an armbar.

Tips:

- As with any heel, toe, or leg lock caution needs to be taken. Many schools don’t allow these techniques because they are too easy to pop. If you’re going to go for a leg or foot submission make sure that you remain in complete control.

- Also note that since many people don’t understand the submissions, they might not know when they are in one. Many people will scramble and tug to get the foot or leg free. This is also dangerous. When in doubt, tap. It’s better to tap to nothing than to sit out for 8 weeks because you weren’t sure. Also, if you’re putting on heel hooks and leg locks, be aware of your opponent, and his level of understanding. If he doesn’t realize and starts thrashing around, just let go. The tap in sparring, when no one is impressed with who tapped who is not worth losing out on training partners. Remember, if you’re known as the guy that hurts his partners you’ll quickly run out of partners.

- Just for added measure, STAY IN CONTROL when performing any submission. This is especially important with leg locks.

Now, if you’ve missed the leg lock for some reason, but still have a hold of the leg you can transition into a toe hold.

Toe Hold from Half Guard

From that botched leg lock position, you on your left shoulder with the opponent’s left leg bring your left arm across the ankle to keep it close to your chest.

Bring your right hand, palm facing away from you across the top of the opponent’s foot grabbing onto the little toe side of the foot. This will create a figure 4 with your arms (left hand on the right bicep).

With this grip you will pull on the foot, bringing the big toe of the opponent down towards his own butt.

Tips:

- This is another one that needs to be done very, very cautiously. Control is a must, and understanding of the situation. If your opponent starts thrashing around, just let go.

- Having presented all that caution, my personal opinion is that leg locks and heel hooks and toe holds are important to learn for the simple reason that if you don’t know a submission you won’t know how to defend it. Learn them, but keep in mind that there are far more important things to be drilling and applying in training. If you can leg lock but can’t pass a guard you’re learning the wrong stuff.

- It’s important to note that most competitions don’t allow leg locks, heel hooks, or toe holds.

Neck Crank from Half Guard

Another submission from the Half Guard is a neck crank.

Having flattened the opponent and secured an underhook around the head with your left arm.

Give space so that the opponent turns into you. When he does this you snake your left hand between your chest and his head. Sneak your palm around the far side of his neck and onto the back of his head.

Put your left bicep on the back of his head, locking your arms in and pulling him towards your chest for the neck crank.

Tips:

- Smother the opponent with your chest, trap their head with your arms, and use your legs to stop them from being able to create space with their lower body.

- Be aware that neck cranks aren’t allowed in many competitions

- Be aware that neck cranks aren’t very nice either. If you’re having a nice, friendly roll with someone you might want to leave neck cranks on the shelf.

- Be aware that neck cranks aren’t very nice. If you’re having a real fight with a real jerk and really want to hurt him feel free to take these off the shelf, polish them up with a nice cloth and some spray, and pop some dudes head off with it…

Note: The views expressed in these blogs are not officially the stances or opinions of Submission Martial Arts.

Ideas for Training:

- Pick a move, like the leg grab rollover sweep, and experiment with different set-ups and variations to it. While rolling, try these ideas out.

- The first three techniques can be linked together as part of a guard gameplan. Always keep an eye out for techniques that work together to form options based on the reactions of the opponent, such as: After the arm-drag from guard if the opponent stops you from taking the back he often opens himself up for a sweep. If he blocks the sweep there might be a submission. If he blocks the submission there might be another arm-drag, etc, etc.

- Work your half guard game. It’s become quite an important part of BJJ.

- Before you start a roll with someone ask them if they want to roll with leg locks, heel hooks, and toe holds. It’s not really safe to assume that it’s okay. Be polite and smart about it.

- If agreed upon, adding leg submissions is a great way to expand your thinking while rolling. Even if you don’t know them offensively you can work on your defense with someone that’s clued up.

- If you’re a noob, don’t try to leg lock people. Most will see it as you being careless with them and transition into something that will likely hurt you. It’s a quick way to break trust. Why is this? Because if you’re not in control a lot can go wrong.  

 

12-10-11

The Closed Guard is a position that carries with it a huge amount of options. Posture is usually what dictates the actions that are taken. When you find your opponent with an arm on the mat you get start this pathway of attack.

Getting an Arm on the Mat

If you decide that you want to attack with the following techniques you can force the posture of your opponent. Here are some ways to do it.

Opponent has both arms on the mat:

Attack the arms. This is where you want to be

Opponent has posture back and pulling away from you:

Start the Hip Bump Sweep but don’t eliminate the post. If done properly the opponent will likely post his arm on the mat.

Opponent in neutral posture:

Get standard grips: Left hand gripping the right sleeve. Right hand gripping the right collar. From there Pull to your right with your right hand and to the left with your left hand. This should split the opponent’s head from his arm, forcing the arm onto the mat.

There are many other variables, and options. These are just a few. We could be here all day, so we’ll just move on to the attack pathway.

From this position and posture you can start to attack the posted arms.

Figure 4 from Guard

Guillotine from Guard

Cutting Armbar from Guard

Figure 4 from Guard

If the opponent has their right arm down on the mat you should grab the wrist with your left arm, sleeve grip or wrist grab… whatever works.

Open your guard, turn onto your left hip, and get your upper body all the way over to the arm. With your right arm get up and over the arm and grab on to your own wrist. Make sure your upper body is connected to the opponent’s arm. You’re not reaching out.

Keep both of your elbows tight against your own body once you’ve got the Figure 4 grip on. With your chest still glued to the opponent’s arm sit back, and turn over onto your right hip. You’re not actually turning with your arms. You’re turning with your body.

As you turn onto your right hip, with arm locked in and elbows tight, you’ll be dropping the opponent’s head into the whole on the right side of your body. Their head should hit the mat. Keep turning as you push the opponent’s hand towards their opposite shoulder for the tap.

Tips:

- As with any submission, the tighter the better. Once you get an arm locked up, don’t give space for them to get it back. Consume the arm. The finish is 2% of the move.

- Sometimes the opponent will defend by hugging you (that’s nice, isn’t it?). They’re glue their ear to your back so that you can’t roll back over to finish the Figure 4. This is when you go into the:

Guillotine from Guard

You’ve get the Figure 4 lock on the opponent’s right arm. He hugs down and places his head against your back.

With your right arm, lock the opponent’s arm to your body as you take out your left hand to post behind you. Use that post to scoot your hips away a bit from your opponent so you’re sitting up. This aligns your shoulders for the guillotine.

Take your right arm out, over the opponent’s head, and enter your hand, palm down onto the opponent’s chest. You want your elbow joint in contact with the opponent’s neck.

Slide that hand up under the opponent’s chin. Take your left hand and grip on the back of your right hand. Pull up and in towards your chest for the tap.

Tips:

- Like everything else, space is the enemy of the Guillotine. One of the common issues is falling back into guard and relieving the pressure off the back of the opponent’s head. Keep the space to a minimum all around the opponent’s head and neck.

- Use your right foot to control the left hip of the opponent.

- Don’t press down on the head when you bring your arm over the opponent. That tucks their chin for them.

- This version is a blood choke. You’re looking to cut off the blood supply to the brain. It’s not an attempt to hurt the windpipe. That means that you need to get the arm right up against the artery.

- Sometimes your opponent will tuck his chin to counter the choke. Then, he’ll usually take his hand and fight yours. This is an opportunity to go into the:

Cutting Armbar from Guard

From the blocked Guillotine take your left hand and feed it under the opponent’s right armpit. Your palm is facing you and your fingers are up towards the sky. Take your right hand and gable grip on your left. Turn your arm over the opponent’s arm as you bring it up onto your shoulder, tight against your ear.

Keep the grip tight start to pull your hands up the opponent’s arm until you find the ‘sweet spot’ for the cutting armbar.

Once you hit the right spot you can lean back into the armbar and squeeze to finish.

Tips:

- Start the armbar with a deep grip near the opponent’s armpit. If you start too far up past the elbow you’ll miss the armbar all together.

- Like the other two techniques, elimination of space is key. Your opponent should feel the pressure on his tricep before the armbar comes on. Some people will tap just from that.

- Use your right foot on the opponent’s left hip to control his lower body.

- Cutting Armbars are moves that are very hard to regain once they are lost. That means they’re one of the many submissions you shouldn’t just keep cranking on. Either you have it or you don’t. That’s probably something that can be applied to most submissions, now that I think about it.

New rule: Don’t just keep cranking on something you don’t have.

Ideas for Training:

- Chase this posture, and pathway while sparring. Simply pull guard and keep a focus on getting the opponent to put hands on the mat. You’ll be amazed at how often you’ll notice something if you’re looking for it.

- Find someone that’s working on guard passes. You attack from guard while they look to pass. When you sweep or get a submission just reset and start again. When they pass just reset and start again. Because you’re both being intentional about what you’re doing, and you both know what the other person is doing it’ll raise the level of troubleshooting on both sides. That makes for better BJJ.

- If you want to start easier, simply take turns with techniques. You let him do his pass. Reguard. He let’s you do your technique. Repeat. Every 10 reps increase resistance until you’re going at the above drill.

- With a training partner do the Figure 4 to the tap, transition into the Guillotine to the tap, then transition to the Armbar to the tap. It’ll teach you to finish all three, and transition at the same time.

5-10-11

Rolling Side Control Escape
Cutting Armbar from Side Control

Over the last few weeks (as can be seen in the class blog and the technique database) we have spent quite a bit of time on side control escapes. All of them are based on reacting to the opponent’s hand position

Side Control Escape Map
POSITION- The opponent has both hands over the far side of your body. No under-hooks.
ESCAPE- Side Control Escape to Guard

POSITION- The opponent has one hand blocking the near hip. The other hand is over the far shoulder
ESCAPE- Side Control Escape to Knees

POSITION- The opponent has an double underhooks (underhook on arm and head)
ESCAPE- Side Control Escape to Back

POSITION- The opponent has double underhooks but you can’t get the arm in for the escape to back
ESCAPE- Rolling Side Control Escape

Rolling Side Control Escape
When caught in double underhook side control sometimes the opponent holds on tight enough where you can’t sneak a hand in no matter how hard you try. This usually happens when the opponent just wants to hold and control you. You can use their tight insistence against them.

With the opponent on your right side, take your right elbow and put it into their hip. With a small hip escape to your left create enough room to get your left arm up, and over their head. Reach down and grab a belt, or pants, or gi, or whatever else you can get a hold of.

Hip away again pushing with your right elbow. As they come back into you to keep you flat bridge over your left shoulder. Because they’re holding on so tight they’ve eliminated their own posts. Because they’re pushing back into you to keep you flat they’re creating momentum for the roll.

As you roll over post a hand, and keep the underhook on the arm. You’re not in side control in an attacking position.

Tips:
- During each phase of this escape keep testing the space between you and the opponent. Often you will be able to sneak in the knee to re-guard.
- Be constantly aware of the opponent’s weight. If you hip escape and they don’t come back into you to force you back down you won’t be able to roll them without significant strength. However, they’ll be holding themselves away which will leave space for the knee to come though back into guard.
- Be aware of your spacing. If your initial hip escape allows you to get the arm over AND creates enough space for them to have to come back into you, you’ll be setting it up in one movement. Don’t hip away twice if you don’t have to.

Tips on Escape Plans:
- As you an see, each escape is progressively tougher. The reason is because- the more trouble you’re in, the more complex the technique. The top escape is done from an ideal posture. The second is less ideal. The third is even less ideal than the second. The fourth is the least ideal, until you get to a point where you’re really in trouble (which would be a tight underhook on the arm and a free attacking arm beside it. This is one step away from many submissions).
- Each escape must be done more based on your opponent’s actions than your own. You can’t just force the escape to guard if their blocking the hip, or have obtained double underhooks. Likewise, you can’t roll them if they aren’t locked into you without a significant (and pointless) fight.
- Know what your ideal posture is. Work to gain and keep that. If you’re in your ideal posture you narrow down the opponent’s options, and create a more basic escape path. If you allow your posture to be dictated too much you’ll have to fight a lot harder to escape. The path becomes more narrow and easier for the opponent to predict and counter.
- Know your escape options and learn ques to help you decide which one you use. Figure out how to feel where your opponent’s hands are. Is he block the hip? Is he reaching for the underhook? Will he get it? Will he lock into me, or give me space to manoeuvre?
- Know your opponent. Every time you roll with someone try to get a feel for his habits in different positions. If you have an opponent that never looks to mount, but always looks to isolate an arm or switchbase to headlock side control, be prepared with posture and escapes. If you have an opponent that never attacks from side control, but waits for you to bridge so they can mount, you need to think of how to adjust your technique so that you’re not giving the mount. The key to this is to think while you’re rolling. Read your opponent.

Now we switch to the top position

Cutting Armbar from Side Control
You’ve gained side control on the opponent’s right side and have established a tight underhook on the opponent’s far (left) arm. Your opponent decides to put his hand up over your back… for some reason.

Ensure that you have a tight grip on the opponent’s arm.

Post your left hand by the opponent’s ear. Lift the opponent up and onto his side. Crush the arm by tucking the underhooking elbow on your side of the opponent’s ribs. Keep your ear pinned on the opponent’s arm that should be up on your shoulder. Step over your opponent with your right foot to tighten your control over his upper body.

Bring your left hand up to your right and slide them up his arm. Keep a tight hold on the arm with your arms and head.

Your head and shoulder push forward as your hands pull in on the back of the elbow joint.

If your opponent stops you from getting your leg up and over to tighten the control you can always just sit back into the armbar.

With the same grip on the arm simply lean back onto a 45 degree angle. Your left leg will be under the arm and your right leg will come over to knee-squeeze the arm, further controlling it.

Tips:
- As with any armbar, how tight the grip is determines how successful the armbar is. Keep the arm tight throughout the technique. Lose the arm, lose the armbar.
- If the arm is being held tight the quickest escape for the opponent will be to bend the arm down towards the beltline. If you keep your right elbow up, you can stop them from grabbing their own gi/belt. That also leads nicely into the figure 4 from north/south.
- Instead of taking your hands off his arm to move them into place just keep a tight grip and slide them up the arm. Not only does this keep the arm secure, it also hurts well before you even get to the elbow joint. Some people might tap to just that.
- Tip for any submission- If you can do it slowly against a fully resisting opponent it means that you have a firm grasp of the technique. Try this when you get into these positions. Take it nice and slow to see where there might be wholes in your technique.
- Conversely, as you view these submissions you’ll realise that there are positions that lead to attacks. Side control with an underhook on the far arm is one of those positions. With that in mind, the best strategy is to simply not allow the opponent to get to those dominant positions. Falling off the cliff is usually too late. It’s best to build a fence 100m back instead. Giving away the arm is what Glen refers to as the ‘game of cat and retard mouse’. As in, if the cat is trying to eat you don’t give him what he needs to do it.

Ideas for training:
- Get a partner to play the side control game with you. Your opponent starts in side control and has to keep if for 5 minutes. He’s only allowed to submit you from there, not transition into another position. You react with escapes according to his hand positioning. If you escape you get a point. If he submits you, he gets a point. If you escape to his back or your knees you have to return to your back for him to re-establish side control. After 5 minutes, switch.
- Play pass and keep (as opposed to pass or sweep). You are in an open guard and just have to keep open guard. Your opponent looks to pass and establish side control. He has to stay in contact with you (no standing and disengaging). After 5 minutes, switch. This will help with your early escapes. As he gets around your guard be ask quick as you can to escape and get back to guard. You should be starting to escape before side control is even established.

All pics can be found on Industry of Combat’s Facebook Fanpage.

Vince, Brayden and Nick competed in ICNZ 12 and all came away with a Win.

Vince Lowe won his fight by KO which later got appealed and changed to a TKO with a rematch opportunity. Vince won his fight in 30seconds!

Brayden Goldring won his fight after fighting three rounds it was announced a draw so had to go a fourth round.  he dominated his opponent in the fourth round.

Nick Allan won his fight via a 2nd round triangle.  All three of our guys did us proud and look forward to them entering some more MMA Events in the near future.

Vince’s Fight

Brayden’s Fight

Nick’s Fight

BJJ

With the Will/Machado nationals coming up this weekend Warren focused the class on rolling, working on what we know rather than learning something new. I spent the class trying to reinforce the things I want to remember for the comp, tweaking little things and enjoying rolling.

MMA

Mark led us in a sparing class, keeping it really light and not wanting to have any injuries for Saturday. We were trying to think about using different combinations rather than getting sucked into a jab, cross, hook, single kick sort of mind set. We focused on varying our strategies, and not worrying about getting hit so much, or whether we were “winning”.

Best of luck to everyone competing this weekend!

Cam D

BJJ

Warren took the class and we focused on omoplata and then on working it in combination with arm bar from guard and triangle. It was a really great class, starting with the fundamental movements and then moving through the layers of the technique until you had something quite complex, without it being to much information.

MMA

In MMA Mark really pushed us with a striking work out. Working on combinations of jabs, straights, hooks, and elbows and then moving though them again, linking them with a double leg takedown. Personally I felt the cardio burn hard. Finishing off with sparring it was another great evening at submission martial arts.

Cam D

BJJ

We continued to work on learning to roll lightly instead of fighting. It’s been great to have repeated classes lately with this focus. Trying to relax and think instead of powering over, to let your opponent get stuff and then apply your own technique. I feel like I am getting better but have a ways to go. I find it hard to make sure my technique is effective rather than moving with power through a defence or positional control. It’s such a partner oriented thing too. If your partner speeds up, it’s really hard not to respond in kind. I think that my new goal is to not worry what my opponent is doing if they go fast, they go fast and I will just let them for that roll, letting it happen rather than getting sucked into trying to stop them. Ego is a tricky thing and it sneaks up on you from all directions. Checking your ego at the door is an eternal process it seems.

It was good to run through the blue belt syllabus in one go and I surprised myself with how much I remembered. I could feel that I spent time in some parts remembering, rather then executing technique perfectly, so more reps for me I guess.

Well done to everyone who was awarded new stripes. It’s always awesome recognising how far everyone has come and how well the guys ahead of you are doing.

MMA

Continuing to work with the Thai Clinch has been really interesting, seeing how effective it is as a control reinforced John Will’s discussion of leverage. It can feel like you aren’t doing that much but when you’re on the receiving end you feel like you can’t go any where.

Sparing was fun and we were all conscious of sparring and not fighting in the same way as we worked on rolling not fighting in BJJ. Again the challenge is keep your technique good while being relaxed and flowing.

It was a great class and I walked out of with a lot to reflect on and having had a lot of fun.

Cam D